Zhuang, a young woman who longs to be a poet, is coerced by her auditor mother into a soul-sucking accountant job. She develops an odd vision of the color red after the death of her grandmother, the only person who believes in Zhuang’s poetic gifts. Drifting into a dream-like state, Zhuang writes more poems and jeopardizes her work performance.

Through the ages, women have been objectified and oppressed in a neverending cycle of desire, admiration, and exploitation, perpetuated by an imposed aesthetic standard.

Going home, being lost, and getting shocked by your surroundings. Ugly Child follows two teenage girls on the adventure to find the elusive house of one of their fathers.

Someone stole his watch and she does not know why.

A Chinese immigrant single mother who desperately wants to be close to her daughter, her only family, takes it to the extreme after discovering her daughter’s secret move-out plan. A portrait of a dysfunctional mother-daughter relationship.

‘Screentime’ is a social commentary narrative illustrating the contrast between digital screens and the tactile world in childhood, demonstrating how boredom acts as a catalyst for imaginative play and engagement with one's environment.

With rare footage of the New York City COVID-19 lockdown, the film evokes the feeling, experience & atmosphere of one of the most dramatic moments of the beginning of the 21st century. As the COVID-19 storm hits the great city, the film shifts from shock, hollowness, hope, and fear of the future.